Baby Review: An Astute Portrait of Queer Brazilian Hustlers Lost in the Established Order
Evoking the urban restlessness and vibrancy of São Paulo, filmmaker Caetano's unflinching drama zooms in on those who inhabit the outskirts of an ever-changing metropolis. Newly freed from juvenile prison, 18-year-old Wellington (João Pedro Mariano) stands at a pivotal juncture; left behind by his parents, the innocent young man seeks comfort in the arms of others.
On an evening out with his rowdy group of gay and non-binary friends, Wellington crosses paths with Ronaldo (actor Ricardo Teodoro), a muscular, charming hustler more than twice his age. Bathed in the flickering glow of a XXX cinema, their initial encounter is sensuous and erotic, with an hint of risk. Ronaldo swiftly initiates Wellington to the clandestine realm of the sex trade and narcotics trafficking.
A Study of Understanding Rather Than Sensationalism
The film illustrates Wellington’s new life of crime with compassionate understanding instead of as a melodramatic morality play. Now adopting the moniker Baby, he approaches his transactional encounters with swaggering confidence and endearing innocence. To his clients, Wellington lends not only his youth and his body, but also moments of care.
In the feverish excitement of São Paulo, teeming with crowded backstreets and vibrant storefronts, there’s a deep-seated solitude, as rootless people cling on to one another for temporary happiness.
"The urban landscape might be fraught with peril, yet they are the place where they can discover chosen kin, too."
A Complex Dynamic of Love and Control
Ronaldo is at once a romantic interest and a sheltering paternal presence to Wellington, but their bond is sabotaged by envy and financial instability. Intimidation from dubious individuals in the underworld are overshadowed by the anxiety about institutional observation and jail time, represented by the looming presence of police officers on patrol.
Baby is particularly impactful as a keen observation of the forgotten souls who have slipped through the gaps the established structure. The film stands as a heartfelt exploration into making ends meet, chosen family, and the quest for purpose within a unforgiving urban landscape.
